Xbox Game Pass Ultimate Will Include EA Play From This Holiday
Xbox has announced that Xbox Game Pass Ultimate will also include EA Play, the EA subscription service, for no additional cost, starting this Holiday season.
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The announcement on the Xbox Wire website explains that Xbox Game Pass Ultimate and PC members will get EA Play at no additional cost, starting from this holiday. Game Pass Ultimate users will be able to access EA Play games on all Xbox consoles plus Windows 10 PCs, while Game Pass PC members - naturally - just get access to the PC version.
Xbox also notes that some EA Play games will also be available for Game Pass Ultimate users to play on Android devices through xCloud. EA games supported by the streaming service have not yet been anounced.
An EA Play membership - previously known as EA Access and Origin Access on PC - unlocks full access to over 60 EA games, including FIFA 20, Titanfall 2, Need for Speed Heat, Battlefield V, the Mass Effect games, and The Sims series. It also provides free trials of up to 10 hours for brand new games not currently part of the membership, including the upcoming FIFA 21, as well as some members-only challenges and rewards.
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The news comes at the same time as the full reveal of the new Xbox line up, including prices and launch dates for both Xbox Series X and Xbox Series S.
We've repeatedly called Xbox Game Pass one of the best deals in gaming, and the Xbox Series consoles will seemingly make it even better, with all Microsoft Studios games launching on the service, and Game Pass bridging console generations. This month, Game Pass Ultimate members will also get access to the xCloud game streaming service as part of their subscription.
For now, here's our rundown of the best Xbox Game Pass games you can get as part of your membership today.
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Xbox Series X Will Cost $499, Pre-Orders Open This Month
Microsoft has confirmed that Xbox Series X will retail at $499 USD / £449, and that both Xbox Series consoles will be released on November 10. Pre-orders will open on September 22.
Both consoles will join the Xbox All Access program (a subscription service that gets you a console and an Xbox Game Pass Ultimate membership), with Series X coming in at $34.99 / £28.99 a month, and Series S at $24.99 / £20.99. Xbox Game Pass Ultimate and will also now include an EA Play membership from this holiday season.
Ahead of September 22, make sure to check out our Xbox Series X pre-order guide.
Xbox All Access has also now expanded to 12 countries, which you can see below (with the retailers offering the service):This is the tweet...
Xbox Series X: $499 (ERP) Xbox Series S: $299 (ERP) Release date: November 10 Pre-order starts September 22: https://t.co/Dz5bRsAuwQ | #PowerYourDreams pic.twitter.com/MadZl4OOKJ — Xbox (@Xbox) September 9, 2020
- Australia at Telstra
- Canada at EB Games
- Denmark at Elgiganten
- Finland at Gigantti
- France at FNAC
- New Zealand at Spark
- Norway at Elkjøp
- Poland at Media Expert
- South Korea at SK Telecom
- Sweden at Elgiganten
- UK at GAME and Smyths Toys
- United States at Best Buy, GameStop, Target, Microsoft Store, and Walmart
Star Wars: Daisy Ridley Says Rey’s Parentage Changed Several Times, Included Being a Kenobi
Daisy Ridley has spoken about how Rey's parentage changed multiple times during the course of the creation of the Star Wars sequel trilogy, and at one point there was even a link to the Kenobi family.
Spoilers for Star Wars: The Rise of Skywalker follow.
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The reveals came while Ridley was talking to Josh Gad on Jimmy Kimmel Live. Asked if she knew Rey's parentage from the beginning of Episode 7, Ridley was blunt: "No. At the beginning there was toying with an Obi-Wan connection, and then- there were, like, different versions. And then it really went to that she was no one.
"And then it came to Episode 9, and J.J. pitched me the film and was like, 'Oh yeah, Palpatine's your grandaddy,' and I was like, 'Awesome.' And then two weeks later he was like, 'Oh, we're not sure'. So it kept changing, so then [audio cuts out] filming and I wasn't sure what the answer was going to be."
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Gad followed up by asking who Rey's grandmother is, to which Ridley replied: "You tell me, Josh". Clearly there's no canon answer to the question that was left on the writer's room floor, at least to Ridley's knowledge.
The interview also posed the question of if Ridley would like to reprise to the role of Rey. "I'd say never say never, but to me Rise of Skywalker was tied up with a bow," she said.
Ridley isn't the only Star Wars cast member looking back at the series. John Boyega recently discussed the sequels in a much more negative light, criticising the way the films sidelined Finn. If the future of Star Wars is more your speed, then take a look at what's in store for The Mandalorian Season 2.
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Nintendo Reportedly Asking Developers to Make 4K-Ready Games, Suggesting Switch Upgrade
Nintendo is reportedly asking developers to make 4K-ready games, which could suggest that a new, higher-resolution console is on the way
A Bloomberg report about Nintendo's plans to boost Switch production includes a brief mention of Nintendo's apparent request. Third-party developers have reportedly been asked "to make their games 4K-ready," which implies the company is at least considering a model of the console that can output at a higher resolution than Switch is currently capable of.
That report comes shortly after we heard rumours of a new Nintendo Switch model with a better display. Those rumours say the console is currently in production, and is due for release in Q1 2021. Rumours of a Switch Pro have been bubbling for some time, with numerous reports arriving in January suggesting that the console would launch later in 2020. Nintendo was quick to bat away these rumours, noting that they had "no plans" to launch a new Nintendo Switch model this year.
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As for the current Switch models, Bloomberg notes that, after recovering from the effects of the Coronavirus on its supply chain, Nintendo has apparently increased production of the console once again to meet demand, with 30 million units set as the new goal for this fiscal year, according to the report's sources.
In other Nintendo news, demand for the Super Mario 3D All-Stars collection has made it the second best-selling game of 2020 on Amazon, coming in just behind Animal Crossing: New Horizons. The Nintendo Switch eShop also just received a series of customer-friendly improvements, such as being able to cancel pre-orders without payment up to a week before release.
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Jordan Oloman is a freelance writer for IGN. Follow him on Twitter.
Nintendo Reportedly Asking Developers to Make 4K-Ready Games, Suggesting Switch Upgrade
Nintendo is reportedly asking developers to make 4K-ready games, which could suggest that a new, higher-resolution console is on the way
A Bloomberg report about Nintendo's plans to boost Switch production includes a brief mention of Nintendo's apparent request. Third-party developers have reportedly been asked "to make their games 4K-ready," which implies the company is at least considering a model of the console that can output at a higher resolution than Switch is currently capable of.
That report comes shortly after we heard rumours of a new Nintendo Switch model with a better display. Those rumours say the console is currently in production, and is due for release in Q1 2021. Rumours of a Switch Pro have been bubbling for some time, with numerous reports arriving in January suggesting that the console would launch later in 2020. Nintendo was quick to bat away these rumours, noting that they had "no plans" to launch a new Nintendo Switch model this year.
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As for the current Switch models, Bloomberg notes that, after recovering from the effects of the Coronavirus on its supply chain, Nintendo has apparently increased production of the console once again to meet demand, with 30 million units set as the new goal for this fiscal year, according to the report's sources.
In other Nintendo news, demand for the Super Mario 3D All-Stars collection has made it the second best-selling game of 2020 on Amazon, coming in just behind Animal Crossing: New Horizons. The Nintendo Switch eShop also just received a series of customer-friendly improvements, such as being able to cancel pre-orders without payment up to a week before release.
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Jordan Oloman is a freelance writer for IGN. Follow him on Twitter.
Academy Announces New Inclusion Rules for Best Picture Consideration
The Academy of Motion Picture Arts and Sciences on Tuesday announced a wave of new representation and inclusion standards for Oscars eligibility in the Best Picture category.
The Academy explains that the Oscars rules changes are part of its Academy Aperture 2025 initiative and the body's overall push for diversity and equitable representation in front of and behind the camera in order to reflect a more diverse, global filmgoing audience.
“The aperture must widen to reflect our diverse global population in both the creation of motion pictures and in the audiences who connect with them,” said Academy President David Rubin and Academy CEO Dawn Hudson in a statement.
[ignvideo width=610 height=374 url=https://www.ign.com/videos/2020/02/10/2020-oscars-winners-revealed-ign-news]
Here's how the Academy breaks down how and when these changes will be implemented and what will be required:
A2. General ensemble cast At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
A3. Main storyline/subject matter The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
At least one of those positions must belong to the following underrepresented racial or ethnic group:
B2. Other key roles At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc. B3. Overall crew composition At least 30% of the film’s crew is from the following underrepresented groups:
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. C2. Training opportunities and skills development (crew) The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately. [ignvideo url="https://www.ign.com/videos/2018/01/23/the-weirdest-oscar-nominations-ever"]
"For the 94th Oscars (2022) and 95th Oscars (2023), submitting a confidential Academy Inclusion Standards form will be required for Best Picture consideration, however, meeting inclusion thresholds will not be required for eligibility in the Best Picture category until the 96th Oscars (2024)."
Read on for the Academy's standards for eligibility for the Oscar races in the years ahead. For the 96th Oscars (2024), a film must meet TWO out of FOUR of the following standards to be deemed eligible:STANDARD A: ON-SCREEN REPRESENTATION, THEMES AND NARRATIVES
To achieve Standard A, the film must meet ONE of the following criteria: A1. Lead or significant supporting actors At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
A2. General ensemble cast At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
A3. Main storyline/subject matter The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below: B1. Creative leadership and department heads At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
At least one of those positions must belong to the following underrepresented racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
B2. Other key roles At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc. B3. Overall crew composition At least 30% of the film’s crew is from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD C: INDUSTRY ACCESS AND OPPORTUNITIES
To achieve Standard C, the film must meet BOTH criteria below: C1. Paid apprenticeship and internship opportunities The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. C2. Training opportunities and skills development (crew) The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below: D1. Representation in marketing, publicity, and distribution The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.-
Women
Racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately. [ignvideo url="https://www.ign.com/videos/2018/01/23/the-weirdest-oscar-nominations-ever"]
Academy Announces New Inclusion Rules for Best Picture Consideration
The Academy of Motion Picture Arts and Sciences on Tuesday announced a wave of new representation and inclusion standards for Oscars eligibility in the Best Picture category.
The Academy explains that the Oscars rules changes are part of its Academy Aperture 2025 initiative and the body's overall push for diversity and equitable representation in front of and behind the camera in order to reflect a more diverse, global filmgoing audience.
“The aperture must widen to reflect our diverse global population in both the creation of motion pictures and in the audiences who connect with them,” said Academy President David Rubin and Academy CEO Dawn Hudson in a statement.
[ignvideo width=610 height=374 url=https://www.ign.com/videos/2020/02/10/2020-oscars-winners-revealed-ign-news]
Here's how the Academy breaks down how and when these changes will be implemented and what will be required:
A2. General ensemble cast At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
A3. Main storyline/subject matter The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
At least one of those positions must belong to the following underrepresented racial or ethnic group:
B2. Other key roles At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc. B3. Overall crew composition At least 30% of the film’s crew is from the following underrepresented groups:
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. C2. Training opportunities and skills development (crew) The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately. [ignvideo url="https://www.ign.com/videos/2018/01/23/the-weirdest-oscar-nominations-ever"]
"For the 94th Oscars (2022) and 95th Oscars (2023), submitting a confidential Academy Inclusion Standards form will be required for Best Picture consideration, however, meeting inclusion thresholds will not be required for eligibility in the Best Picture category until the 96th Oscars (2024)."
Read on for the Academy's standards for eligibility for the Oscar races in the years ahead. For the 96th Oscars (2024), a film must meet TWO out of FOUR of the following standards to be deemed eligible:STANDARD A: ON-SCREEN REPRESENTATION, THEMES AND NARRATIVES
To achieve Standard A, the film must meet ONE of the following criteria: A1. Lead or significant supporting actors At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
A2. General ensemble cast At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
A3. Main storyline/subject matter The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below: B1. Creative leadership and department heads At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
At least one of those positions must belong to the following underrepresented racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
B2. Other key roles At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc. B3. Overall crew composition At least 30% of the film’s crew is from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD C: INDUSTRY ACCESS AND OPPORTUNITIES
To achieve Standard C, the film must meet BOTH criteria below: C1. Paid apprenticeship and internship opportunities The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity. C2. Training opportunities and skills development (crew) The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below: D1. Representation in marketing, publicity, and distribution The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.-
Women
Racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately. [ignvideo url="https://www.ign.com/videos/2018/01/23/the-weirdest-oscar-nominations-ever"]
Borat 2 Has Reportedly Already Been Filmed and Screened
UPDATE: Borat 2 is reportedly already done filming and has even been screened for some industry people.
According to Collider, Borat 2 has already been shot on location around L.A. Plot details and even who is involved in making the film beyond star-creator Sacha Baron Cohen remains murky.
"It’s unclear who is paying for the sequel, but it wouldn’t surprise us if Borat 2 was being financed by a deep-pocketed streamer," Collider reports, adding, "Some believe it will be released prior to the election in an effort to reach younger voters."
Our original report from August 21 follows.
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Borat 2 is seemingly being filmed in Los Angeles as recent footage of the character has surfaced on YouTube.
Borat, or as it was officially titled, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, was released in 2006 as a comedy. It found an audience that still quotes the movie today but over the years, the film has continued to draw criticism for its depiction of someone from Kazakhstan, especially as it's portrayed by Sacha Baron Cohen, who is not Kazakh.
Cohen, who plays the character, is seemingly bringing the character back for new audiences as seen in the footage here. You can check out what appears to be Cohen as the character below.
If that's not enough to make you believe Cohen is up to something with the character, here's a shot from later in the video where you can see a camera crew filming Cohen's antics.
Assuming Cohen is filming Borat 2, it would be the first major character of his to make a return for a sequel. Borat was Cohen's breakout role for many but other characters like Bruno and Da Ali G have gone on to find their own fame. As arguably Cohen's most popular character, it makes sense for Borat to receive a sequel out of his entire catalog of characters.
There's no official confirmation or word of Borat 2 but the proof of something related to the character is in the video. Perhaps it's something for TV or YouTube. Only time will tell. Borat is about a Kazakh journalist that travels to and throughout the U.S. to make a documentary. It features actual interviews between Borat and people in the U.S, often completely unscripted.
For more Cohen, read about a possible comedy interview series he has in the works and then read about Bruno's best TV moments. If you're looking for something funny, be sure to check out IGN's list of the 25 best comedies.
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Wesley LeBlanc is a freelance news writer and guide maker for IGN. You can follow him on Twitter @LeBlancWes.


Jason Momoa Is First Justice League Cast Member to “Stand With” Ray Fisher in Accusations Against Joss Whedon
Jason Momoa is the first Justice League cast member to publicly "stand with" Ray Fisher in his case against Joss Whedon.
Momoa played Aquaman in 2017's Justice League alongside Fisher's Cyborg with Whedon serving as the director after previous director, Zack Snyder, had to bow out due to personal reasons. Fisher recently accused Whedon of running a toxic and hostile set and that DC Films chair Geoff Johns and former co-chair Jon Berg enabled Whedon's alleged bad behavior. The rest of the Justice League cast has remained quiet, but on Sept. 8, Momoa showed his support for Fisher on his Instagram story, as originally reported by Variety.
As you can see, Momoa said "#IStandWithRayFisher," which marks the first show of public support from any of Fisher's fellow Justice League cast members. Momoa didn't mention anything else but the message is pretty clear. Fisher posted a screenshot on Twitter of Momoa's post that says "Let's Go!!! #BORGLIFE Accountability>Entertainment."
Amidst Fisher's accusations, WarnerMedia responded and said, "(To) date, Mr. Fisher has declined to speak to the investigator." You can read the full WarnerMedia statement here. Fisher responded and said that he isn't cooperating with WarnerMedia's investigative probe because he believes it isn't fully independent.
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Without inferring into Momoa's message, it's a case of Fisher's story versus the DC Films side of the Justice League Production. It's worth noting that Momoa has voiced his support of Fisher while in talks to voice the titular character in an upcoming Frosty the Snowman Warner Bros. picture that has both Johns and Berg attached to it.
You can check out Momoa and Fisher in their respective DC roles in the upcoming Snyder Cut of Justice League, which is set to hit HBO Max in 2021.
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Wesley LeBlanc is a freelance news writer and guide maker for IGN. You can follow him on Twitter @LeBlancWes.

Justice League’s Momoa Calls Out Warner Bros., Demands Accountability
UPDATE: Jason Momoa has gone into greater detail about his support for Ray Fisher's claims of Joss Whedon running a toxic and hostile set during the Justice League reshoots.
In a post to his Instagram account, Momoa wrote: "THIS SHIT HAS TO STOP AND NEEDS TO BE LOOKED AT @ray8fisher AND EVERYONE ELSE WHO EXPERIENCED WHAT HAPPEN UNDER THE WATCH OF @wbpictures NEEDS PROPER INVESTIGATION."
The Aquaman star went on to call foul on the recent news that he was voicing Frosty the Snowman in a movie to be produced by Jon Berg and Geoff Johns, the former DC Films execs Fisher has specifically called out for fostering Whedon's alleged bad behavior on set.
"I just think it’s fucked up that people released a fake Frosty announcement without my permission to try to distract from Ray Fisher speaking up about the shitty way we were treated on Justice League reshoots," Momoa wrote. "Serious stuff went down. It needs to be investigated and people need to be held accountable."
Our original report from Sept. 8th follows.
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Jason Momoa is the first Justice League cast member to publicly "stand with" Ray Fisher in his case against Joss Whedon.
Momoa played Aquaman in 2017's Justice League alongside Fisher's Cyborg with Whedon serving as the director after previous director, Zack Snyder, had to bow out due to personal reasons. Fisher recently accused Whedon of running a toxic and hostile set and that DC Films chair Geoff Johns and former co-chair Jon Berg enabled Whedon's alleged bad behavior. The rest of the Justice League cast has remained quiet, but on Sept. 8, Momoa showed his support for Fisher on his Instagram story, as originally reported by Variety.
As you can see, Momoa said "#IStandWithRayFisher," which marks the first show of public support from any of Fisher's fellow Justice League cast members. Momoa didn't mention anything else but the message is pretty clear. Fisher posted a screenshot on Twitter of Momoa's post that says "Let's Go!!! #BORGLIFE Accountability>Entertainment."
Amidst Fisher's accusations, WarnerMedia responded and said, "(To) date, Mr. Fisher has declined to speak to the investigator." You can read the full WarnerMedia statement here. Fisher responded and said that he isn't cooperating with WarnerMedia's investigative probe because he believes it isn't fully independent.
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Without inferring into Momoa's message, it's a case of Fisher's story versus the DC Films side of the Justice League Production. It's worth noting that Momoa has voiced his support of Fisher while in talks to voice the titular character in an upcoming Frosty the Snowman Warner Bros. picture that has both Johns and Berg attached to it.
You can check out Momoa and Fisher in their respective DC roles in the upcoming Snyder Cut of Justice League, which is set to hit HBO Max in 2021.
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Wesley LeBlanc is a freelance news writer and guide maker for IGN. You can follow him on Twitter @LeBlancWes.
