Some video game franchises seem destined for the mobile gaming scene, their format ideally suited for touchscreen controls or quick on-the-go gaming sessions. Bandai Namco's drum-pounding rhythm game Taiko no Tatsujin is the latest established franchise to make the jump to mobile, and it's a match made in heaven. Bright, colorful, and full of charm, Taiko no Tatsujin Pop Tap Beat will have you smiling from ear to ear as you tap tap tap away to its catchy soundtrack. It's just a shame that fun has such a short shelf life.

Pop Tap Beat follows the standard rhythm genre format: notes travel from one side of the screen to the other (in this case right to left), and you tap the screen when each one reaches a circle to score points. The closer to the circle the note is when you tap, the more in rhythm with the song you are and the more points you score. It's a simple system that's easy to understand and pick up even if this is your first time playing a rhythm game, making for a short learning curve and a longer focus on fun.

The gameplay loop offers incremental increases in challenge with each subsequent difficulty level, offering an experience that's challenging without ever feeling impossible. Notes come in two colors: red, which signals tapping the drum, and blue, which signals tapping around the edge of it. Higher difficulties will split the drum in half, meaning you not only have to pay attention to the color of each note but also keep in mind which side of the screen needs to be tapped. Pop Tap Beat mixes things up further with special notes, alleviating any monotony. These special notes include drum rolls with continuous tapping, golden drums for furious tapping, and balloon notes for a different kind of furious tapping.

Some video game franchises seem destined for the mobile gaming scene, their format ideally suited for touchscreen controls or quick on-the-go gaming sessions. Bandai Namco's drum-pounding rhythm game Taiko no Tatsujin is the latest established franchise to make the jump to mobile, and it's a match made in heaven. Bright, colorful, and full of charm, Taiko no Tatsujin Pop Tap Beat will have you smiling from ear to ear as you tap tap tap away to its catchy soundtrack. It's just a shame that fun has such a short shelf life.

Pop Tap Beat follows the standard rhythm genre format: notes travel from one side of the screen to the other (in this case right to left), and you tap the screen when each one reaches a circle to score points. The closer to the circle the note is when you tap, the more in rhythm with the song you are and the more points you score. It's a simple system that's easy to understand and pick up even if this is your first time playing a rhythm game, making for a short learning curve and a longer focus on fun.

The gameplay loop offers incremental increases in challenge with each subsequent difficulty level, offering an experience that's challenging without ever feeling impossible. Notes come in two colors: red, which signals tapping the drum, and blue, which signals tapping around the edge of it. Higher difficulties will split the drum in half, meaning you not only have to pay attention to the color of each note but also keep in mind which side of the screen needs to be tapped. Pop Tap Beat mixes things up further with special notes, alleviating any monotony. These special notes include drum rolls with continuous tapping, golden drums for furious tapping, and balloon notes for a different kind of furious tapping.

• Harold Halibut (Slow Bros.)
• Kena: Bridge of Spirits (Ember Lab)
• Lost in Random (Zoink Games / Electronic Arts)
• NORCO (Geography of Robots / Raw Fury)
• Sable (Shedworks / Raw Fury)
• Signalis (rose-engine / Humble Games)
• The Big Con (Mighty Yell)
• Twelve Minutes (Luis Antonio / Annapurna Interactive)

• Harold Halibut (Slow Bros.)
• Kena: Bridge of Spirits (Ember Lab)
• Lost in Random (Zoink Games / Electronic Arts)
• NORCO (Geography of Robots / Raw Fury)
• Sable (Shedworks / Raw Fury)
• Signalis (rose-engine / Humble Games)
• The Big Con (Mighty Yell)
• Twelve Minutes (Luis Antonio / Annapurna Interactive)