Dune Part 2 has found its Feyd-Rautha – none other than Elvis star, Austin Butler.

According to Variety, the 30-year-old actor is in talks to join the cast of Dennis Villeneuve’s upcoming Dune sequel as the villainous Feyd-Rautha – the nephew of Baron Harkonnen and heir to his uncle’s empire.

As per their source, Butler is in “the very early stages” of joining Dune Part 2.

Feyd-Rautha is one of the more iconic Dune roles, having originally been played by Sting in the 1984 version of Dune, directed by David Lynch.

One of the main antagonists in Dune, Feyd-Rautha is often considered to be a villainous counterpart to Paul Atreides, who is played this time around by Timothée Chalamet. Both of them were a product of the Bene Gesserit breeding program… and Feyd was intended to be married off to Jessica Atreides’ daughter. Instead, she gave birth to a son – Paul.

Of course, there’s been much speculation about who would take the role of Feyd-Rautha in Villeneuve’s adaptation. Now, it looks as though we have our answer.

Austin Butler is perhaps best known for the role of Wil Ohmsford in The Shannara Chronicles, but is also set to star in Elvis – the upcoming biography of the legendary rock and roll singer, written and directed by Baz Luhrmann. Butler takes the leading role opposite Tom Hanks as Colonel Tom Parker.

Here’s the Elvis trailer for a sneak peek:

I get the feeling Butler will make a great Feyd opposite Chalamet’s Paul. After all, the two seem to have similar energy and youthfulness on their side. But he’s certainly no Sting.

This latest casting news comes just days after Florence Pugh was cast as Princess Irulan in the upcoming Dune sequel. Meanwhile, Dune Part 2 is planning to begin filming later this year.

Dune Part 2 will star Timothée Chalamet as Paul, alongside Rebecca Fergusson as Jessica. They’re joined by Zendaya, Florence Pugh, Javier Bardem, Josh Brolin, and Stellan Skarsgård. Denis Villeneuve will direct the film with a script he co-wrote with Jon Spaihts, based on the original novel by Frank Herbert.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

Dune Part 2 has found its Feyd-Rautha – none other than Elvis star, Austin Butler.

According to Variety, the 30-year-old actor is in talks to join the cast of Dennis Villeneuve’s upcoming Dune sequel as the villainous Feyd-Rautha – the nephew of Baron Harkonnen and heir to his uncle’s empire.

As per their source, Butler is in “the very early stages” of joining Dune Part 2.

Feyd-Rautha is one of the more iconic Dune roles, having originally been played by Sting in the 1984 version of Dune, directed by David Lynch.

One of the main antagonists in Dune, Feyd-Rautha is often considered to be a villainous counterpart to Paul Atreides, who is played this time around by Timothée Chalamet. Both of them were a product of the Bene Gesserit breeding program… and Feyd was intended to be married off to Jessica Atreides’ daughter. Instead, she gave birth to a son – Paul.

Of course, there’s been much speculation about who would take the role of Feyd-Rautha in Villeneuve’s adaptation. Now, it looks as though we have our answer.

Austin Butler is perhaps best known for the role of Wil Ohmsford in The Shannara Chronicles, but is also set to star in Elvis – the upcoming biography of the legendary rock and roll singer, written and directed by Baz Luhrmann. Butler takes the leading role opposite Tom Hanks as Colonel Tom Parker.

Here’s the Elvis trailer for a sneak peek:

I get the feeling Butler will make a great Feyd opposite Chalamet’s Paul. After all, the two seem to have similar energy and youthfulness on their side. But he’s certainly no Sting.

This latest casting news comes just days after Florence Pugh was cast as Princess Irulan in the upcoming Dune sequel. Meanwhile, Dune Part 2 is planning to begin filming later this year.

Dune Part 2 will star Timothée Chalamet as Paul, alongside Rebecca Fergusson as Jessica. They’re joined by Zendaya, Florence Pugh, Javier Bardem, Josh Brolin, and Stellan Skarsgård. Denis Villeneuve will direct the film with a script he co-wrote with Jon Spaihts, based on the original novel by Frank Herbert.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

Obi-Wan Kenobi star Ewan McGregor says it was “odd” to see Hayden Christensen back as the legendary Star Wars villain, Darth Vader.

During an interview with Entertainment Weekly, the 50-year-old Star Wars actor explained what it was like to see Christensen back in the iconic costume.

“To see Hayden back in the role of Anakin, well… it was sort of spine-tingling,” he said. “It was amazing. It was just amazing to see Hayden full-stop. I’m so close to him – we’ve stayed in touch over the years, but we haven’t seen each other for a long time.”

It’s been an amazing couple of days for Star Wars fans. Hot on the release of the Obi-Wan Kenobi trailer, Disney then unveiled our first look at the return of Darth Vader in the upcoming Disney+ series.

“His shadow is cast across so much of what we do,” teased series writer, Joby Harold. “And the degree of his proximity to that shadow is something that we'll discover. But he is very much a part of the show emotionally for Obi-Wan, and possibly beyond that as well.”

Additionally, the series will introduce another new villain – Inquisitor Reva. Played by Moses Ingram, the character is described as “ruthlessly ambitious”. Whether or not she’s as ruthless as Darth Vader himself remains to be seen.

Still, McGregor seemed ecstatic to see his old pal back on set… and he explained what it was like to get the old Jedi duo back together after such a long time.

“I love him so much,” he said. “We have this very special bond of making two of those first three films together. It was so important for both of us – for our careers and who we are.”

“To be on set with him again was odd. It was like time hadn’t happened,” he added. “I looked across at him and we’re on a set and… I look over at him and he’s Anakin now, and I’m Obi-Wan now, and it’s like nothing had happened. I didn’t see any age on his face. I just felt like the period of time between Episode III and now didn’t exist. It was so peculiar.”

Meanwhile, Star Wars legend John Williams will return to score Obi-Wan Kenobi, with a lightsaber-wielding rematch planned for Obi-Wan and Darth Vader.

Obi-Wan Kenobi star Ewan McGregor as the iconic Jedi, with Hayden Christensen set to appear as Darth Vader. They’re joined by Rupert Friend, Kumail Nanjiani, Joel Edgerton, and Moses Ingram.

Deborah Chow directed the upcoming series, with scripts by Joby Harold.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

Obi-Wan Kenobi star Ewan McGregor says it was “odd” to see Hayden Christensen back as the legendary Star Wars villain, Darth Vader.

During an interview with Entertainment Weekly, the 50-year-old Star Wars actor explained what it was like to see Christensen back in the iconic costume.

“To see Hayden back in the role of Anakin, well… it was sort of spine-tingling,” he said. “It was amazing. It was just amazing to see Hayden full-stop. I’m so close to him – we’ve stayed in touch over the years, but we haven’t seen each other for a long time.”

It’s been an amazing couple of days for Star Wars fans. Hot on the release of the Obi-Wan Kenobi trailer, Disney then unveiled our first look at the return of Darth Vader in the upcoming Disney+ series.

“His shadow is cast across so much of what we do,” teased series writer, Joby Harold. “And the degree of his proximity to that shadow is something that we'll discover. But he is very much a part of the show emotionally for Obi-Wan, and possibly beyond that as well.”

Additionally, the series will introduce another new villain – Inquisitor Reva. Played by Moses Ingram, the character is described as “ruthlessly ambitious”. Whether or not she’s as ruthless as Darth Vader himself remains to be seen.

Still, McGregor seemed ecstatic to see his old pal back on set… and he explained what it was like to get the old Jedi duo back together after such a long time.

“I love him so much,” he said. “We have this very special bond of making two of those first three films together. It was so important for both of us – for our careers and who we are.”

“To be on set with him again was odd. It was like time hadn’t happened,” he added. “I looked across at him and we’re on a set and… I look over at him and he’s Anakin now, and I’m Obi-Wan now, and it’s like nothing had happened. I didn’t see any age on his face. I just felt like the period of time between Episode III and now didn’t exist. It was so peculiar.”

Meanwhile, Star Wars legend John Williams will return to score Obi-Wan Kenobi, with a lightsaber-wielding rematch planned for Obi-Wan and Darth Vader.

Obi-Wan Kenobi star Ewan McGregor as the iconic Jedi, with Hayden Christensen set to appear as Darth Vader. They’re joined by Rupert Friend, Kumail Nanjiani, Joel Edgerton, and Moses Ingram.

Deborah Chow directed the upcoming series, with scripts by Joby Harold.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

When Jenova Chen released Journey ten years ago, he wanted to prove to the world that video games were art. Now, everyone pretty much agrees they are.

So why, he asks, are they still not getting the wider cultural respect they deserve?

"You go to a party, and someone says, 'What do you do?' If you say, 'I write scripts for movies'...They treat you as if you are an author of a book or a poet…You're a servant for the public. But if I tell them I work in games, in 2005, they said, 'You know the Columbine shooting? The congressmen said you guys are making kids violent.' And in 2014 to today, people are like, 'I heard you guys make a lot of money, right?'...That's basically what people ask. The only other time people would ask these questions is if you run a casino.

"These days we are working on something different because, now [we've proven they're] art, how come people still don't respect games? I got these games like Flower and Journey in the MOMA and Smithsonian and in all these contemporary galleries. I thought this is going to elevate the public respect for games, because how is it possible that game is a lesser art form than any others?...If proving games can be art can't elevate the respect, or how the public view games, what else can I do to change that?"

One reason Chen cites for the continued struggle of gaming for cultural respect is the mobile market, and by association, the rise of free-to-play games and what he sees as predatory monetization tactics. Though he himself has released multiple games on mobile and recognizes there are artistic mobile games out there, he says that the preponderance of those specific business models has dramatically increased the number of people playing games regularly, but also harmed the overall societal image of games as art.

"As a console developer, I feel very mixed, how I want to react to it. On one hand, we have ten times the players now, but at the same time, where is the money flowing to? Where does the talent go? What are we focusing on? I was really happy in 2012 when I saw more and more AAA games starting to become artistic and have emotional power, but suddenly, you have tens of millions of new games created that are the opposite of those old games, with free-to-play and predatory monetizations. The reputation of games today is shaped by these mobile games more than what's on the console, and that's why people are treating me as if I'm running casinos.

"To me, that is my saddest realization of the change in a decade, is no matter how much work we did in console, it doesn't matter because it's diluted by mobile and this new group of people and new group of games."

For right now, Chen can't give any further details on what exactly his new project is or how it will challenge these conventions. But he does confirm that this doesn't mean his own mobile game, Sky, isn't going anywhere. He compares Thatgamecompany to pirates, always exploring and on the lookout for new treasure. But now that they have Sky to maintain, their jobs are split.

"One thing I joke about is we finally found one particular treasure [Sky]. Now, we can't be pirates anymore because the treasure is deep in the mine. We have to dig it up, so we have to have this service operation with hundreds of people, and that's a completely new stage of life. But deep down, I'm still a pirate."

Rebekah Valentine is a news reporter for IGN. You can find her on Twitter @duckvalentine.

When Jenova Chen released Journey ten years ago, he wanted to prove to the world that video games were art. Now, everyone pretty much agrees they are.

So why, he asks, are they still not getting the wider cultural respect they deserve?

"You go to a party, and someone says, 'What do you do?' If you say, 'I write scripts for movies'...They treat you as if you are an author of a book or a poet…You're a servant for the public. But if I tell them I work in games, in 2005, they said, 'You know the Columbine shooting? The congressmen said you guys are making kids violent.' And in 2014 to today, people are like, 'I heard you guys make a lot of money, right?'...That's basically what people ask. The only other time people would ask these questions is if you run a casino.

"These days we are working on something different because, now [we've proven they're] art, how come people still don't respect games? I got these games like Flower and Journey in the MOMA and Smithsonian and in all these contemporary galleries. I thought this is going to elevate the public respect for games, because how is it possible that game is a lesser art form than any others?...If proving games can be art can't elevate the respect, or how the public view games, what else can I do to change that?"

One reason Chen cites for the continued struggle of gaming for cultural respect is the mobile market, and by association, the rise of free-to-play games and what he sees as predatory monetization tactics. Though he himself has released multiple games on mobile and recognizes there are artistic mobile games out there, he says that the preponderance of those specific business models has dramatically increased the number of people playing games regularly, but also harmed the overall societal image of games as art.

"As a console developer, I feel very mixed, how I want to react to it. On one hand, we have ten times the players now, but at the same time, where is the money flowing to? Where does the talent go? What are we focusing on? I was really happy in 2012 when I saw more and more AAA games starting to become artistic and have emotional power, but suddenly, you have tens of millions of new games created that are the opposite of those old games, with free-to-play and predatory monetizations. The reputation of games today is shaped by these mobile games more than what's on the console, and that's why people are treating me as if I'm running casinos.

"To me, that is my saddest realization of the change in a decade, is no matter how much work we did in console, it doesn't matter because it's diluted by mobile and this new group of people and new group of games."

For right now, Chen can't give any further details on what exactly his new project is or how it will challenge these conventions. But he does confirm that this doesn't mean his own mobile game, Sky, isn't going anywhere. He compares Thatgamecompany to pirates, always exploring and on the lookout for new treasure. But now that they have Sky to maintain, their jobs are split.

"One thing I joke about is we finally found one particular treasure [Sky]. Now, we can't be pirates anymore because the treasure is deep in the mine. We have to dig it up, so we have to have this service operation with hundreds of people, and that's a completely new stage of life. But deep down, I'm still a pirate."

Rebekah Valentine is a news reporter for IGN. You can find her on Twitter @duckvalentine.

Gamescom is returning in full to Cologne, Germany this year but will offer an extensive online program too for attendees who wish to join remotely.

The world's largest gaming event has been forced online for the last two years due to COVID-19 but will return to the Koelnmesse convention centre from August 24 to 28.

Gamescom will be separated into different areas for entertainment, business, cosplay, retro, and more. Organizers are promising this will be simulated online, with both versions of the event also having interactive quests and rewards.

Felix Falk, the managing editor of game (the association of the German games industry), said in a statement, "This year we are combining the best of both worlds: our extensive digital program with the incomparable Gamescom experience on-site."

He also explained the "Gamescom Goes Green" project, as this year's event is designed to be climate neutral in the medium and long term. "We thus want to not only be a lighthouse for the many initiatives for environmental protection and climate action in the international games industry, but also a pioneer for international events in general," Falk said.

IGN will have its own schedule of Gamescom 2022 events to bring you the latest news and analysis throughout the event.

Ryan Dinsdale is an IGN freelancer who occasionally remembers to tweet @thelastdinsdale.

Gamescom is returning in full to Cologne, Germany this year but will offer an extensive online program too for attendees who wish to join remotely.

The world's largest gaming event has been forced online for the last two years due to COVID-19 but will return to the Koelnmesse convention centre from August 24 to 28.

Gamescom will be separated into different areas for entertainment, business, cosplay, retro, and more. Organizers are promising this will be simulated online, with both versions of the event also having interactive quests and rewards.

Felix Falk, the managing editor of game (the association of the German games industry), said in a statement, "This year we are combining the best of both worlds: our extensive digital program with the incomparable Gamescom experience on-site."

He also explained the "Gamescom Goes Green" project, as this year's event is designed to be climate neutral in the medium and long term. "We thus want to not only be a lighthouse for the many initiatives for environmental protection and climate action in the international games industry, but also a pioneer for international events in general," Falk said.

IGN will have its own schedule of Gamescom 2022 events to bring you the latest news and analysis throughout the event.

Ryan Dinsdale is an IGN freelancer who occasionally remembers to tweet @thelastdinsdale.

Drake and Josh star Josh Peck has joined Christopher Nolan’s Oppenheimer.

According to Variety, the 35-year-old former child star has joined the upcoming World War II epic from the celebrated filmmaker, Christopher Nolan.

He will reportedly play Kenneth Bainbridge, a real-life scientist who worked alongside Oppenheimer on The Manhattan Project — America’s top-secret nuclear weapon project during World War II.

Bainbridge was known for his work on cyclotron research, and his precise measurements of mass differences between nuclear isotopes allowed him to confirm Einstein’s mass-energy equivalence concept.

He was also the director of The Manhattan Project’s Trinity nuclear test on July 16, 1945. After observing the test explosion, he famously remarked to Oppenheimer: “Now we are all sons of bitches.”

Fingers crossed that particular line makes it into the film.

Oppenheimer stars Cillian Murphy as J. Robert Oppenheimer, the theoretical physicist who is often credited as the “father of the atomic bomb”.

The all-star ensemble cast is already packed full of big names, including Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Rami Malek, and many more. David Dastmalchian also recently joined the cast in an unknown role.

Oppenheimer is set to be the first film Nolan has worked on with Universal Pictures after they picked up the film rights following a bidding war. Nolan previously expressed anger at Warner Bros. for launching their films day and date on HBO Max – the director calling it “the worst streaming service”.

Now, his break from the studio has led to this first project with Universal, which came with an extensive list of demands.

Christopher Nolan will produce Oppenheimer alongside Emma Thomas and Atlas Entertainment’s Charles Roven. The film is expected to be made on a $100 million budget – considered considerably “smaller-scale” by Nolan compared to his earlier films.

Oppenheimer is based on the Pulitzer-winning book, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and the late Martin J. Sherwin.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

(Photo by Matt Winkelmeyer/Getty Images)

Drake and Josh star Josh Peck has joined Christopher Nolan’s Oppenheimer.

According to Variety, the 35-year-old former child star has joined the upcoming World War II epic from the celebrated filmmaker, Christopher Nolan.

He will reportedly play Kenneth Bainbridge, a real-life scientist who worked alongside Oppenheimer on The Manhattan Project — America’s top-secret nuclear weapon project during World War II.

Bainbridge was known for his work on cyclotron research, and his precise measurements of mass differences between nuclear isotopes allowed him to confirm Einstein’s mass-energy equivalence concept.

He was also the director of The Manhattan Project’s Trinity nuclear test on July 16, 1945. After observing the test explosion, he famously remarked to Oppenheimer: “Now we are all sons of bitches.”

Fingers crossed that particular line makes it into the film.

Oppenheimer stars Cillian Murphy as J. Robert Oppenheimer, the theoretical physicist who is often credited as the “father of the atomic bomb”.

The all-star ensemble cast is already packed full of big names, including Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Rami Malek, and many more. David Dastmalchian also recently joined the cast in an unknown role.

Oppenheimer is set to be the first film Nolan has worked on with Universal Pictures after they picked up the film rights following a bidding war. Nolan previously expressed anger at Warner Bros. for launching their films day and date on HBO Max – the director calling it “the worst streaming service”.

Now, his break from the studio has led to this first project with Universal, which came with an extensive list of demands.

Christopher Nolan will produce Oppenheimer alongside Emma Thomas and Atlas Entertainment’s Charles Roven. The film is expected to be made on a $100 million budget – considered considerably “smaller-scale” by Nolan compared to his earlier films.

Oppenheimer is based on the Pulitzer-winning book, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and the late Martin J. Sherwin.

Ryan Leston is an entertainment journalist and film critic for IGN. You can follow him on Twitter.

(Photo by Matt Winkelmeyer/Getty Images)